The feeling of films like that, of seeing something terrible aestheticized, is usually along the lines of the feeling Want to turn away but cant I tend to find that the cant often means secretly dont want to. There are certainly points in this film in which I believe that the subjects were exploited. Since 2016 we have been able to harvest 15 Bucks over the magical 200 inch mark, many eclipsing 215 inches and two bucks over 245 inches. My DF was a chronic alcoholic (who died after eventually committing suicide) and I grew up with my parents while social circle being people in AA and Al-anon so maybe it was less of a shock to me as I've seen most of this first hand. Boozenight is on Thursday, 13 December, at 10.30pm on BBC TWO. Watson himself, also repeats that whilst he is filming them he will not intervene; it is his job purely to observe. Check out our rain in my heart selection for the very best in unique or custom, handmade pieces from our shops. June 27, 2015 by webadmin Watch on YouTube Watch on Brilliant, unflinching documentary on alcoholism by Kent film maker Paul Watson. The person who created this page shares thoughts of sympathy for Tonis family (who died during filming) and Vandas family who consequently died after filming. I felt that already Watson was too close to his subjects to represent them how he originally intended to. Music Video BOWY Rain In My Heart Featured In Album Beat Emotion BOWY Listen to RAIN IN MY HEART on Apple Music. Some of you may felt that Sunday's documentary was a bit light, a little bit like eating candy floss, no substance. A good example of his moral doubts is when he asks himself Am I an ambulance chaser? and is a clear way of showing how documentary makers may react with barely contained glee when they get material of extreme situation that can make good TV document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); http://www.theguardian.com/media/organgrinder/2006/nov/05/sheffielddocfestaredocument, http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1661761/, https://www.youtube.com/watch?v=jjy8Z1hK2wY, http://www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust, https://www.youtube.com/watch?v=2LuFOX0Sy_o. Rain in my heart is very clinical in its approach to a very tough subject matter, as if Watsons approach matches that of the grief caused by alcoholism for his subjects. To illustrate, each of the documentary objects have had their own monsters in their heads, to my mind, they are in a sense weak or have a big weakness- alcohol, therefore Pauls use of characters (Vandas) confession about her monsters or at the same time the reasons why she might be came to drinking helps not only the filmmaker but us in getting closer to this unfamiliar woman and her story. Watson himself, in a cut away shot and voiceover reveals to the audience that in that moment he lost his ability to be able to detatch himself from a situation. Alcohol is used as a coping mechanism, to which Watson openly investigated in particular with Vanda. I do not believe that Paul Watson was dealing with the accusations successfully, but I also do not believe that he was making this film completely selfishly. That is something which I felt could have been left out, as it only showed her weak points and did not help in the documentaries focus on her alcohol problem. All the footage that was quite hard to watch did, however, make the film much more real for me. This for me was an awkward introduction to have with a subject you are going to see go through an emotional and dark period. This is a bit more than just explaining the distress the subjects are going through. Yes it does raise awareness, and the documentary was good, however, to feel taken back is not the sort of emotion one should try to evoke. 22/11/06 - 10:57 #8. Rain is a natural phenomenon that has extreme importance in human society. I think it is not proper for observational documentary, Watson deliberately shows his audience of certain moments to lead them into a certain emotion, which i think might be too subjective. Things which have been considered problematic in Watsons Rain In My Heart include: informed consent from his subjects, the argument of whether or not the filmmaker should intervene in the filming process, the appropriateness of certain parts of the film, most notably Nigels funeral and his grieving family, and finally, the relationship between Watson and his subjects. However, you cannot debate the fact that at some points in the documentary, Watson did take it too far. The reason for all this was to make people aware about the phenomenon of alcoholism and surely not for attracting more audience. Please log in using one of these methods to post your comment: You are commenting using your WordPress.com account. Want to save money? However, I felt in this case it was too much exploitation of Nigel, Claire and his family, who were probably not in the right mental state of mind to decide whether the sequences of their personal, heartbreaking moments should be filmed. Rain In My Heart raises many ethical issues as a documentary yet highlights many health and social issues current in our society. It is one of overwhelming sickness and reduced privacy/independence. There is one point I dont like about Watsons technique. This was mostly due to the fact that obviously he was filming people with huge vulnerability in their lives, therefore he was careful not to portray the situation as taking advantage of. I do feel that in a way Paul Watson has exploited all of his subjects in this film. When he asked Toni to call and talk to his family, for example. Rain In My Heart is a documentary that is observing four alcohol abusers Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 from the impoverished Medway towns of north Kent. Perhaps the strong emotional shocked felt from watching it is more to do with fearing our own mortality. Although the documentary is very intimate, in both its setting and the framing of the subjects as the yellow-y and fatigued skin of the subjects is shown through close ups. The card is easy to customize with your wording, font, font color, paper shape options and choice of six paper types. On Thursday, in a special follow-up film for Newsnight, Paul revisits two of the alcoholics from the film, plus the widow of one of those who died during filming. After watching this documentary i get shock of the people shown. You can watch a short reminder of their stories via the links below. such as askingcan we enter the subjects house? This gives the impression that Paul Watson is only interested in the success of this documentary. This attempt to confront the ethical problem of documentary-making did not satisfy me as I couldnt help but feel that Watsons display of concern was more addressing the potential accusations of the audience rather than the problem itself. This means as subjects they must think the documentary will help. Nigel, 49, has been dry for ten years, but the damage he has inflicted on his liver is irreversible. Watson stated at the very beginning of the film that he would not intervene in the lives of the people he was filming and would not stop them from drinking if they relapsed. Sometimes I felt like that situation was too much and it couldnt go on toward that direction. The seriousness of the topic in the documentary is emphasised through the filmmakers intimacy and relationship with the subjects. But I find he violated the rules of documentary as he did interfere with the subjects and pushed them to an extent that made them fall back. It was arguably and subtly manipulative how he often said would you like to carry on? as he was probably aware that the answer would be yes due to the state of the interviewees. I did not really feel that Paul Watson uses his characters, unless he tried to observe the process of drinking, or returning to the alcoholism after abstaining from it. For example, when Vandas temper reaches a certain point and she slams the phone down repetitively, wanting to break it and smash it pieces. Documentary, TV Movie. I thought Rain In My Heart was a good example of a film that provokes thought about the ethical role of documentary makers. To apply this aestheticized approach to documentary, look at the trailer for The Imposter https://www.youtube.com/watch?v=2LuFOX0Sy_o http://news.bbc.co.uk/player/nol/newsid_7140000/newsid_7143600/7143616.stm. The earliest version to survive in the Bible is Mark 's Gospel. Even all knows that subjects were vulnerale and needed a help. I also believe Watson tried his best to tackle these accusations, baring in mind that overdoing it throughout the documentary could appear to undermine the actual traumas of the patients and their families. On the other hand, i personally feel like people are indeed exploited. The edit involves numerous repeats of dialogue from the patients, which is played at random and juxtaposing episodes, some even without the visuals which make it seem part of the dialogue (for example, when Vanda slams the phone down in anger). It is hard to watch, but becomes even more uncomfortable when Watson interjects right in the middle of someone elses story, such as Mark, to remind the audience of the monsters. This makes me feel as though he almost abuses his subject. The decision to include this part of Vandas drunk dialogue is one that is certainly questionable, especially since we are not given evidence as to whether or not she did consent to the inclusion once sober. I read an interesting article about this film posted on The Guardian, and a quote that stood out to me was Of the many powerful issues raised by the film, the one which occupied me most was this: are some things just too real to be captured on film?. On his first admission to hospital, where we see him in the film, he was given a 50:50 chance of survival. I feel sympathy towards the subjects because they were, maybe, unsure as to what they had agreed to, and what it involved. To judge whether or not Watson exploited the people in his film wed have to know exactly how hes profited from them. Nicole (rain_in_my_heart)'s profile on Myspace, the place where people come to connect, discover, and share. Overall I felt as if Paul Watson didnt exploit his subjects, they all consented to being observed and he used that to create a telling and shocking encounter with those suffering from alcoholism. Voyeurism this is not. The fact he became emotionally involved with such a topic I believe would have helped; it was clear he so wanted them to stay off the alcohol and endure a full recovery. I found the piece riveting but extremely disturbing. No one feels comfortable at the hospital anyway without a camera crew to be there watching your pain and destruction (essentially). As for Nigel, it can be said that he was exploited less than others, because his wife was constantly present, therefore she could control the actions of the filmmakers. As Watson edits his film himself he gets to choose what stays in the final cut, therefore raising other ethical issues as he may have only chosen to show the subjects at their worst and in very emotional states. To this statement Vanda agrees and understands the relationship between the two of them. However, as an observational filmmaker, Watson has a certain obligation to the truth. The subject was in a particularly vulnerable state and he took advantage of that and filmed her confession. http://www.theguardian.com/culture/tvandradioblog/2006/nov/22/mattersoflifeanddeath. There are many intimate moments within the documentary, such as the funeral of one of the subjects that had passed due to the abuse of alcohol. He puts himself in the film to explain how he felt at the time, allowing the audience to be involved in his own personal emotions whilst watching his film. Watson even edits in clips of himself discussing how he felt when seeing his subjects cross back to alcohol, he states I lost that remoteness that I have as a filmmaker I get emotionally involved with people but I manage to stand back and observe and I get a lot of critism for that. But I dont think he exploited anyone in his documentary. She was healing. Rain in my Heart is a powerfully, touching film. He just tried to observe that and filmed everything as it is, while they I assume from the very beginning had agreed to be filmed in any state they are. He witnessed some horrific scenes throughout filming and only once (that I can recall) did he step in to hand Mark a sick bucket and express disappointment to Venda for her choosing to buy a bottle of vodka. It was really uncomfortable scene to me, Paul trully showed the seriousness of alcohalism and it must influence to the audience. So with saying that, I was satisfied with the way that Watson handled his participants. This powerful documentary from fly-on-the-wall pioneer Paul Watson follows four alcohol abusers over the course of a year. I think that the mutual awareness of the situation between subject and filmmaker, despite the subjects inebriation, helps to prove that it is not exploitative. I feel it is hard to say if Watson exploited his subjects, because I dont know whatever deal they probably made behind the screen. But there is no evidence of this happening. Rain In My Heart is a very powerful documentary which gives us all-round access to the issue of alcoholism with a key focus on four of its sufferers. SACRAMENTO, Calif. More rain and snow swept through Northern California on Monday, a day after a historic downpour set records and led to dangerous situations on roadways, street flooding,. He acts incredibly friendly with her by holding her shoulders when talking to her, slapping her cheek when she has fallen asleep from drinking etc. As much as rain can cause happiness, there are times when this phenomenon can cause distress. However, I would not say these intimacies are exploitative of the sincere as they are constantly asked for permission as to what Watson is filming is ok by them. Paul Watson has none of this. Forum Member. The most obvious example is the scene where Vanda (being drunk) tells Paul about the monsters in her head, even though she did not want to talk about that when she was sober. Although he felt a great need to capture this real footage, it was only when he almost invaded the subjects personal space (their homes) knowing they would be under the influence of alcoholic beverages, did they begin to open up emotionally and share extremely personal experiences. I think the problems of ethics in filmmaking cannot be solved. The fact that two of participants died during filming is grim testimony to the illness of alcoholism. Thus exploiting their vulnerability to further push their weakness and end up with footage that will strike the audiences attention and maybe even get better ratings. Read about our approach to external linking. I think Paul Watson just record the really experience of alcoholic people, and to large extent to show their emotion and struggle about giving up drinking and the pain they have suffered because of drunk. The editing in this documentary played a huge part in how the audience saw and formed views about the subjects that Paul Watson was filming. For before the revealing of the alcohol, Watson greets Vanda by pecking her on the mouth and cheek. Rain in my Heart(TV Movie) Opinion Awards FAQ User Reviews User Ratings External Reviews Metacritic Reviews Details Full Cast and Crew Release Dates Official Sites Company Credits Filming & Production Technical Specs Storyline Taglines Plot Summary Synopsis Plot Keywords Parents Guide Did You Know? Chapter 1. She was also married to him. If Watson couldnt do that, it wouldve been a pointless project. If she was lying she wouldnt tell him would she? But all of these elements and attitudes of the filmmaker were performed in order to achieve a result of what alcoholism really is and of how serious and dangerous its consequences can be. He also gained the trust of his subjects to the extent that Vanda confined in him regarding her abuse as a child, and Nigels wife wanting Watson to be there when she said goodbye to him. We as a audience get to see his family grieving him when he dies and more importantly we see his wife looking after him when he is in his worst state and also coping with his departure. With a limited number of options given that he had great difficulty finding a location and subjects to film it was essential that Watson was able to capture the gritty reality of alcoholism and addiction in a way that will haunt the audience for some time. Although we see Paul telling Vanda that he will ask her later whether he should use this footage in the film, we do not know if he actually did it. Paul Watson. 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